Otar, Before He Left: The Cinema of Duration, Attention, and a Country Observed Sideways
When DOCA Film Club launches a retrospective, the gesture rarely functions as a commemorative ritual. Over the years, DOCA has ...
When DOCA Film Club launches a retrospective, the gesture rarely functions as a commemorative ritual. Over the years, DOCA has ...
From January 16 to February 5, Corner House Coffee is hosting Coffee + Chaos, a photo exhibition by Tony Hanmer. ...
Cities usually celebrate their birthdays above ground—with speeches, orchestras, badly amplified optimism. Tbilisi chose a different register. On January 11, ...
In much of contemporary Europe, the calendar functions as an administrative device—an unobtrusive grid designed to smooth labor flows and ...
The New Year at the Tbilisi Opera and Ballet Theater began with a gesture of confidence: the reopening of the ...
Every once in a while, an exhibition appears that does not merely present art, but recalibrates the cultural self-image of ...
Tbilisi has always had a complicated relationship with its own buildings. Here, architecture rarely settles into a single meaning. Houses ...
There is a particular kind of contemporary American novel that begins with competence and ends with disappearance. The protagonist has ...
By the time the Karajan Academy of the Berlin Philharmonic musicians walked into Tatuza Jazz Club on December 17, Tbilisi ...
The 26th Tbilisi International Film Festival unveiled a work that drifts through the screen with the weightless focus of a ...
