OP-ED. The Apology Economy: On Pardons, Protest, and the Performance of Guilt in Georgia
Somewhere between the solemn hush of a courtroom and the subterranean hum of the Tbilisi metro, a new kind of ...
Somewhere between the solemn hush of a courtroom and the subterranean hum of the Tbilisi metro, a new kind of ...
The cinema was never just about the movie. At its best, it was a kind of secular chapel—a place to ...
In the heart of Tbilisi, on the gentle slope between the Old Town and the Mtkvari River, two monumental tubular ...
TKESHI 2025 does not take place in the pine-scented sanctuary of Kojori. It takes place in exile. It takes place ...
It is difficult to write about a piano recital like this without sounding overwhelmed, but perhaps that is the only ...
Under the swaying trees and the scent of rain-drenched summer air, a peculiar transformation is unfolding in the courtyard of ...
In a climate where sound is increasingly policed and art is made to answer to power, the decision to play ...
On the evening of July 8, a genre-defying musical work took to the stage of the Tbilisi Opera and Ballet ...
When Anita Rachvelishvili walks on stage, something ancestral enters the room. Her presence—dignified, unyielding, unapologetically vocal both musically and politically—reconfigures ...
Kammerballetten’s appearance at the Tbilisi Ballet Festival felt like a tectonic shift. Curated by Danish ballet visionary Tobias Praetorius and ...
