Olga Babluani is the creator of widely viewed cognitive media projects such as Goodbye to the Weapon and No Time to Sleep—programs that have captivated large audiences for many years. For her, creative media is a space of pleasure, knowledge, and culture. She also established a visually and intellectually engaging TV design studio, adorned with books and photographs by Natela Grigalashvili, to reflect this philosophy.
Educational Projects
In addition to her media work, Babluani has developed educational initiatives aimed at popularizing vocational education. These include events at the Writers’ House, three short educational films, and the Art and Education Forum held at the Batumi National Gallery. In partnership with the International Organization for Migration, Olga has also led projects on visa liberalization and migration, simplifying complex topics for broad and diverse audiences.
Cinema and Cultural Heritage
Coming from a family deeply rooted in Georgian cinema, being related to the famed Georgian film director, script writer, and actor, Temur Babluani, Olga views this legacy as a vital part of Georgia’s cultural heritage. She has played character roles in several internationally acclaimed films.
When asked about her connection to cinema, she often notes that while she has portrayed characters in award-winning films, her desire to act has faded over time. The decline in film production—driven by economic, political, and social challenges—has been disheartening.
“Female roles in particular remain underrepresented, despite the efforts of many talented young directors I respect deeply,” she says.
Still, she believes Georgian cinema remains a unique and powerful cultural phenomenon.
Media projects, tied closely to her work with cameras and screens, have been central to her personal and professional development. These projects became a way to process and share knowledge, reaching far beyond conventional television content and drawing millions of views on social media. Olga was solely responsible for creating this creative environment—an experience she describes as both demanding and liberating. She credits her loyal viewers, participants, and partners for their support and understanding of her vision.
“I’m grateful to my loyal viewers, participants, and partners who supported these efforts and appreciated what I was trying to achieve,” she notes.
A Farewell to Arms
Television, she reflects, is a massive commercial machine that spans the entire country. To succeed, one must maintain peak physical and intellectual condition and manage a team so that every part of the production runs smoothly. Over time, the demands became exhausting.
When the program finally came to an end, only a few people were still “riding motorcycles” around the city—a metaphor for how much the media landscape had changed. Today, scooters dominate the youth scene.
Current Project
Olga’s latest project is currently in development. It explores cultural identity through the lens of art, focusing on a unique cultural phenomenon in the Caucasus Mountains.
In the geopolitically complex region of the South Caucasus, identity remains a critical issue. As writer Grigol Robakidze once said: “The history of Georgia has always been governed by the pathos of chivalry. Chivalry is a defining trait of our national character. We worship life. For Georgians, life is a Promethean passion—a danger, not merely a condition.”
She believes that every nation possesses its own distinct character, and in Georgia, that character is a powerful spiritual force shaping cultural identity and artistic expression.
“Georgian art evokes, with universal clarity, a profound sense of originality and human essence,” she argues.
Though often conquered, Georgia has never been culturally hybridized. Eastern and Western influences are evident in its artistic output, but it is the fusion of bold creative spirit and magnetic individuality that gives Georgian art its distinct power. After the Russian Empire’s conquest, even the cinematic language had to be reinvented to communicate unspoken truths.
“I love Georgian art’s poetic style—slightly fantastical, yet deeply realistic. Georgian art is not about theoretical objectives; it transcends epochs,” she says.
Nastasia – Modeling & Fashion
Olga’s youngest daughter, Nastasia, has made a significant mark in the fashion industry. She has appeared on the cover of Harper’s Bazaar, collaborated with major brands, walked the runway at Fashion Week, and was honored as the “New French Top Model of the Year.” She is represented by Women Management in both Paris and Milan.
Olga speaks proudly of her daughters Nastasia and Likuna—the eldest—describing them as hardworking and grounded individuals. Liana, who resides in Paris and manages her own career, is recognized as a highly skilled expert in strategic communication.
Babluani takes great pride in her daughters’ accomplishments. She believes in raising children with a clear sense of right and wrong, a deep inner freedom, and a commitment to living simply—yet with dignity and purpose. Her guiding principle: “Never complain, never explain.”
By Team GT
