Three Spaces, One Theology of Painting: How Merab Abramishvili Became the Axis of Georgia’s Artistic Year
Every once in a while, an exhibition appears that does not merely present art, but recalibrates the cultural self-image of...
Every once in a while, an exhibition appears that does not merely present art, but recalibrates the cultural self-image of...
The past week saw Russia intensify its winter air campaign against Ukraine’s power system, while pressing hard along several frontline...
As 2025 draws to a close, Georgia feels like a country holding two truths at once. Cafés are full, airports...
Tbilisi Mayor Kakha Kaladze has commented on the arrest of former head of the State Security Service of Georgia (SSSG)...
The Government of Georgia has proposed a significant update to the country’s Law on Environmental Protection. For the first time,...
The New Year is almost here. It is time to look back, to refresh our minds about what the world...
In 1986, aged 19, I somehow won the logo competition for the Sculptors’ Association of Alberta, in Canada, of which...
Tbilisi has always had a complicated relationship with its own buildings. Here, architecture rarely settles into a single meaning. Houses...
Irina Gachechiladze’s chamber opera Eva premiered at the Tbilisi State Conservatoire, offering a contemporary take on the story of Eve....
There is a particular kind of contemporary American novel that begins with competence and ends with disappearance. The protagonist has...